Headline: "Senate Passes Bill to Reopen Government After 40 Days and 40 Nights"
With the endless media coverage of the government shutdown, not to mention the turmoil and fears created in so many peoples’ lives, nobody focused much on the treaty Trump negotiated called Peace Deal 2025.
All we really got was continued reporting on how Trump was mad over the cover portrait picked by Time magazine:
As USA Today reported on October 14: "President Donald Trump is not a fan of his Time magazine cover story photo.
"Time posted the cover for the upcoming Nov. 10 issue on X, which features a photo of Trump taken from low down with the sun creating a halo effect where his hair blurs into the light. It features three titles: 'His triumph,' 'The leader Israel needed,' and 'How Gaza heals.' The X post links to a story about how the ceasefire deal between Israel and Hamas could be a signature achievement in Trump's second term.
"But Trump took to Truth Social in the early hours of the morning as he flew back to the U.S. from Egypt to criticize the picture."
*****
“It wasn’t a coincidence that Donald Trump was in Egypt for
this ceasefire deal where all these world leaders got together
to sign a treaty that would begin a ceasefire between Israel and Gaza,” says an online political commentator.
“Trump is now being called ‘Cyrus the Great.’ This is
actually on some of the billboards being featured and seen around the earth
right now. He’s being compared to King Cyrus. He’s being compared to Alexander
the Great.
“So, I’m sure it was just a coincidence that while Donald
Trump was in Egypt, signing his massive treaty which he’s getting all the
credit for, there was a music concert that took place right in front of the Great
Pyramids.
The performer, Anyma, has his 'Genesis Ending' project (I’m
sure that’s not biblical at all) and his concerts are all about using massive
amounts of electronic frequencies on his audience while conditioning them into
transhumanism.
*****
From a news article posted by the Egypt Independent newspaper
on October 14:
“Acclaimed international electronic musician Anyma performed their latest
concert, attended by over 15,000 people, including approximately 4,000
Egyptians and 11,000 foreign tourists.
“The concert, held at the foot of the pyramids, was
performed by Italian-American artist Matteo Milleri, whose Anyma project,
combines electronic music, light tricks, and dazzling visual performances,
which offers a state-of-the-art experience that blends technology and art at
the heart of the oldest archaeological landmark in the world.
“The first part, titled ‘Quantum,’ focused on modern
electronic music. The second, ‘Genesis Ending,’ featured a state-of-the-art
visual spectacle utilizing 3D lighting and giant lighting tricks across two
stages and a massive screen, the largest in Egyptian concert history . . . The
largest screen in the history of concerts in Egypt was used to broadcast the
event live.
“Despite its remarkable success, the concert was not without
controversy. Criticism spread online, with some likening the concert to a ‘strange
ritual’, while others objected to its location within an archaeological site
considered one of the most important symbols of Egyptian civilization.
“Critics fear these events could harm the historical
character of the site, while others defended them as a form of global tourism
promotion that reflects Egypt’s ability to host major events in its unique
archaeological sites.”
*****
“Anyma’s concert was a ritual of the consecration of the old
world into the new world and that’s exactly why Anyma was there performing
while Donald Trump and all these leaders got together to put on this show,”
says the commentator.
“If you look at clips from the concert it’s very clear you
see the twin pillars. How deliberate was that? Of course, those are the pillars
from Freemasonry, Jachin and Boaz. These two pillars represent the entrance of
King Solomon’s temple. They’re said to be symbols of divine guidance and
stability.
“What else do we see in the clips? There’s the capstone on
top of the pyramid lit up representing the ‘all-seeing eye’ of Lucifer. That
was deliberately lit up on purpose because it represents the completion—the connection
to the divine, or for them their connection with their god Lucifer.
“Then there was the blatant position of the lighting behind those two pillars to make the Sigil of
Lucifer. You can clearly see it right behind the two pillars in front of the
Pyramids.
“Now, you may have also noticed that some of the lighting
deliberately done between those two pillars clearly represents the Phoenix
Rising out of the ashes. You can see how the lights depict two wings of the phoenix,
something Anyma uses all the time in his transhumanist performances—the phoenix
rising. Man and machine merging together as one.
“This was clearly a massive ritual that was deliberately done.
You’re not going to see Donald Trump in the front row at this concert with the
common person to say, ‘What is this, an Illuminati concert?!’
“You’re not going see other world leaders out in the open
there but they were all in attendance. This was deliberately done as Trump is now
being hailed as the Great Peacemaker, as the modern-day Cyrus the Great.
“Cyrus in the Bible was renowned for allowing the Jewish
people to return from Babylonian exile and rebuild the temple in Jerusalem.
That’s who they’re comparing him to.
“This whole performance by Anyma is obviously symbolizing
the New World Order that is coming. His concerts are nothing more than massive
transhumanist rituals, conditioning the audience using frequencies on them
without them even realizing what they’re going to be accepting in the future.
“I don’t know who would go to a concert like this and say, ‘Oh,
this is really great. There’s this massive demonic thing with a red eye
creeping out behind the stage staring at me, but it doesn’t look like it wants
to party; it looks like it wants my soul! Well, better have another cigarette
and beer and pretend like nothing’s happening.’
“These are signs of the end times coming, ladies and gentlemen.
This is happening all around us and again, with the world we see--this massive push
with technology and computer interfaces, the Neurolink, this technocracy that
they want to build out--the closer we’re getting to end-times prophecy and
things like the Digital ID tied directly into it.”